Ali sayadani; Parviz Ahmadzadeh houch; Amir Farhangdust
Abstract
Among the many ways of attitude to existence and its interpretation, Expressionism must be considered a unique approach. This method, which is non-imitative in nature, does not describe events as they seem. The writers and artists of this school present the superficial forms of events in their minds ...
Read More
Among the many ways of attitude to existence and its interpretation, Expressionism must be considered a unique approach. This method, which is non-imitative in nature, does not describe events as they seem. The writers and artists of this school present the superficial forms of events in their minds and offer them like dream interpreter ؛An exciting stream that opposes and pushes against predefined structures. This approach, with its vast capacities, has provided a very good opportunity to show the world inside and outside of human beings. In the meantime, one of the figures who have left poems in line with the principles of this school in the field of poetry is Aisha Arnaout (born 1946), a Syrian-Albanian writer and poet. His poems in two sections of form and content have provided outstanding manifestations of abstract literature. Hence, this article tries to study in a descriptive-analytical way, the linguistic and content constructions of the poems of this contemporary Arabic poet based on the components of expressionism. Among the results of this research, we should mention features such as:"suspension and waiting", "heterogeneous rhythm and beat" and "interrupted metaphors" in the field of language, as well as themes such as "grotesque","lost identity" and "mental-emotional ejection" which had a high frequency in Arnaout's poems.Among the results of this research, we should mention features such as:"suspension and waiting", "heterogeneous rhythm and beat" and "interrupted metaphors" in the field of language, as well as themes such as "grotesque","lost identity" and "mental-emotional ejection" which had a high frequency in Arnaout's poems.
Hasan Smailzadeh Bavani; Ali Sayadani; Vahid Kheiry; Bahman Agazadeh
Abstract
.The semiotic model of Michael Rifater is one of the first semiotic patterns that has specifically studied the literary form of poetry. In this model, much attention is paid to the literary ability of the readership and his reaction to poetry, and poetry reading is done at both exploratory and post-action ...
Read More
.The semiotic model of Michael Rifater is one of the first semiotic patterns that has specifically studied the literary form of poetry. In this model, much attention is paid to the literary ability of the readership and his reaction to poetry, and poetry reading is done at both exploratory and post-action levels. In the first level, the meaning and superstructure of the text are examined, and in the second level, according to the non-grammatical elements, the deep layers of the text and linguistic implications are analyzed. Resistance and love are the two main themes of Mahmoud Darvish's poetry, and he creates linguistic meanings in these poetic themes by using non-grammatical elements. He hides the main meaning and message beyond the apparent surface of words and consciously delays the understanding of the meaning of poetry. The present study tries to discover the accumulations and descriptive systems of Rita Ahbini's poem in a descriptive-analytical way and relying on the foundations of Michael Rifater's theory of semiotics of poetry, and to recite the structural matrix of the poem to the reader. Explaining the semiotic model of Michael Rifater and explaining the principles of resistance literature in Mahmoud Darvish's poetry and its hidden layers using the semiotic model are the objectives of this research. Among the results of the reactionary reading of the poem there are several implications of the word "Rita" in Mahmoud Darvish’s works, who mixed it with the concept of homeland and eventually became the symbol of Palestine, and thus put a romantic theme in the service of the concept of resistance. The hypograms of this poem are well reflected in its structural matrix and show a picture of the situation in Palestine and the prospect of resistance
