Linguistics
Shahriar Hemmati; Hamed Poorheshmati
Abstract
The village has a great place in the path of contemporary narrative discourse and its narrative calling flaunts in the bed of ballades content and their sensitive images focal. Using various conceptual connotations, the village changes its functions in different situations based on the type of interaction ...
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The village has a great place in the path of contemporary narrative discourse and its narrative calling flaunts in the bed of ballades content and their sensitive images focal. Using various conceptual connotations, the village changes its functions in different situations based on the type of interaction of the poet and his degree of dependence on topics that have a realistic or dreamlike relationship with this place. Mohammad Afifi Matar is a great Egyptian poet who views the village as an open place with narrative mechanisms and characteristics with rich implications and concepts, and he emphasizes on the importance to the scenes of his hometown village and the needs of its inhabitants or the quality of the functioning of the village in the framework of technical pictures. The local quality of the village that has in his poetry, introduces the reader to a series of real or unreal events and invites him to more sympathize and presence of the narrative process. This research is based on the descriptive-analytical method that it proceeds the narrative of the village in Mohammad Afifi Matar's poem and the result of the research suggests that the poet at describing the village is a wise narrator who has an influential presence in the process of its occurrence and presents them in three main aspects that are the nostalgia of the village which is related to the childhood of the poet and his past, and the other is the expression of an optimistic image, which is expressed in natural oriented and manifestations of richness, pretentiousness and its freestanding, and it approaches to being ideal. Then, a dark tragedy is usually related to the natural and social life of the village and appears in the drought and poverty and the hunger of its inhabitants.
Seyyed Ali Mirhosseini; Seyyed Adnan Eshkavari; ali Aswadi; Houman Nazemian; Abdollah Hoseini
Abstract
The main purpose of this study is to introduce Mohammad Afifi Matar as a poet and an author of several books who has a certain individual way of thinking and inciting poems which are all about using symbols and various rhetoric materials. He is one the poets who no longer use symbols in a literary matter ...
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The main purpose of this study is to introduce Mohammad Afifi Matar as a poet and an author of several books who has a certain individual way of thinking and inciting poems which are all about using symbols and various rhetoric materials. He is one the poets who no longer use symbols in a literary matter but not only does he appear as a behaviorist but he also tends to introduce himself as a political critic that can find and reveal deep concerning issues and offer proper solutions to solve them. Based on his poems, it seems that Afifi Matar is always trying to purposefully create different layers of meanings by presenting philosophical thoughts with words that are capable of having different meanings. Daniel Chandler, a contemporary literary theorist, is among the many who have set their minds on finding new aspects and reaching fresh understandings based on existing words and sentences or verses a poem in which you can eventually have knowledge that cannot be achieved through the first look. Chandler believes that any symbol can be either a used one in a new form that has no refreshing meaning to offer or it’s a fresh meaning hidden inside an old symbol waiting to be found. As an example, when Afifi Matar uses the symbol of “blood” in his poems, he tries to represent that not as a simple key to sacrifice but as a worthy price that only a few can and want to pay to gain access to freedom or retrieve what once was theirs.
