A Reconstruction of Rule Addition Patterns in the Protest and Defeat Poetry of Ajwad Mujbil Khafaji

Document Type : Original Article

Authors

1 Ph.D Candidate, Department of Arabic Language and Literature, Faculty of letters and Humanities, Ferdowsi University of Mashhad, Mashhad , Iran

2 Professor, Department of Arabic Language and Literature, Faculty of letters and Humanities, Ferdowsi University of Mashhad, Mashhad, Iran

Abstract
This study investigates the application of rule addition, a prominent linguistic foregrounding technique originating from Russian Formalism, within the poetry of Ajwad Mujbil Khafaji, a key figure in Iraqi resistance literature. Rule addition, conceptualized by Roman Jakobson as parallelism manifested through verbal repetition, involves the creative incorporation of linguistic rules beyond standard language usage to produce literary art. The research examines this phenomenon across phonological, lexical, and syntactic levels, acknowledging the diverse nature of stylistic devices generated through such parallelisms. Influenced by the pervasive themes of poverty, exile, war, tyranny, and injustice in his homeland, Khafaji’s poetry extensively reflects concepts of protest and defeat. Employing a descriptive-analytical methodology, this inquiry elucidates these themes by identifying patterns of rule addition. The primary objective is to demonstrate Khafaji’s linguistic dexterity in leveraging the expressive potential of language to convey protest and defeat, an area previously underexplored. The findings indicate that Khafaji’s utilization of rule addition extends beyond enhancing the musicality and imagery of protest and defeat; it serves as a mechanism for seeking escape from suffering and achieving liberation from internal turmoil. Specifically, in phonological parallelism, the repetition of the bright vowel (ā) and plosive consonants (b, d) evokes an atmosphere of protest, while the repetition of the low, dark vowel (u) and fricative consonants (f, s) signifies defeat. Lexical parallelism contributes to cohesion and semantic unity, and syntactic parallelism functions to emphasize and stabilize poetic imagery through the establishment of systematic repetitive structures.
 

Keywords

Subjects

Abbas, H. (1998). Characteristics of Arabic letters and their meanings. Arab Book Union. (in Persian)
Ahmadi, B. (1991). Structure and interpretation of text. Tehran: Markaz Publications. (in Persian)
Al‑Habil, A. R. M. (2014). The phenomenon of al‑Tawazi in the poetry of Imam al‑Shafi’i. Al‑Quds Open University Journal for Research and Studies, 33, 101–136. (in Persian)
Al‑Hilali, A. R. (1953). Al‑Ma’ajm al‑Iraq (Vol. 1). Baghdad: Ministry of Education, Al‑Najah Press. (in Persian)
Alizadeh, A. (2012). Parallelism or hidden repetition and its role in the creation of literary works: A syntactic‑verbal analysis. Journal of Mashhad School of Literature and Human Sciences, 142, 193–209. (in Persian)
Al‑Khalwadeh, F. (2006). Music of Arabic poetry. Cairo: Al‑Haiyat Al‑Aaa’e Book. (in Persian)
Al‑Khafaji, A. M. (2000). The Sumerian boy’s journey. Baghdad: Ittihad al‑Katab al‑Arab. (in Persian)
Al‑Khafaji, A. M. (2009). Crowded in the little homeland. Baghdad: Dar Nakheel. (in Persian)
Al‑Khafaji, A. M.  (2012). Oh my father, oh water. Baghdad: Nors Printing Company. (in Persian)
Al‑Khafaji, A. M. (2019). A cup for the extinction of the postman. Iraq – Baghdad: Dar Al‑Shabab for Printing and Publishing. (in Persian)
Al‑Tamimi, H. A. J. (2022). Al‑Almaz in al‑Tafailiyah poem of Majbal al‑Khafaji (Master’s thesis). Ferdowsi University of Mashhad, Mashhad. (in Persian)
Al‑Waili, I. (1978). Political poetry in the nineteenth century. Baghdad: Al‑Maarif Press. (in Persian)
Anis, I. (1952). Music of poetry (2nd ed.). Egypt: Al‑Bayan Al‑Arabi Committee Press. (in Persian)
Baro, H., & Dwivedi, P. (2020). Stylistics analysis of sound device using parallelism on the selected Tigrina poems. Humanities & Social Sciences Reviews, 8(2), 61–68. (in Persian)
Basher, K. (1971). Studies in the science of language (2nd ed.). Cairo: Dar al‑Maarif; Baghdad: Dar al‑Shabaab for Printing and Publishing. (in Persian)
Heikal, H. (1992). Harb al‑Khalij, Usam al‑Qahta wa al‑Nasr. Cairo: Al‑Ahram Center for Translation and Publishing. (in Persian)
Heydarian Shahri, A. R., & Seddighi, B. (2012(. Signs of dystopia in Khalil Hawi’s poetry. Research Journal of Arabic Literature Criticism, 3, 88–114. (in Persian)
Heydarian Shahri, A. R., Al‑Sahlani, O., & Al‑Himyar, A. (2022). Phonetic intonation and its semantic effect in the Holy Quran: The ethical concepts of the people of the erroneous city as a model. Journal of Arabic Language and Literature, Fifteenth Year, Issue 1, pp. 1–15.
Ibn Jinni, A. F. U. (1990). Al‑Khasa’is. Baghdad: Dar al‑Shu’un al‑Thaqafiyya. (in Arabic)
Ibn Idris, O. K. (1997). Al‑bunyah al‑iqa‘iyyah fi shi‘r al‑Buhturi: Dirāsah naqdiyyah taḥlīliyyah (Doctoral dissertation). Alexandria University, Egypt. (in Arabic).
Kataneh, F. A. (1991). Dirasah uslubiyyah fi shir Abi Firas al-Hamdani (Master’s thesis). Palestine: An-Najah National University. (in Arabic).
Sediqi, B., & Heydarian Shahri, A. R. (2020). Taraneh‑hā‑ye Ishtar: An analysis of selected poems of contemporary Arabic poetry. Qom: Imam Mehraban. (in Persian)
Safavi, K. (2001). Az zabanshenasi be adabiyat (Vol. 2). Tehran: Sureh Mehr. (in Persian).
Mirghaderi, S. F., & Dehghanian, J. (2010). Morvarid‑e Sharq. Shiraz: Shiraz University Press. (in Persian).
Qavimi, M. (2004). Ava va elqa: Rahyafti be she’r‑e Akhavan‑e Sales. Tehran: Nashr‑e Hermes. (in Persian).
Safavi, K. (1994). Az zabanshenasi be adabiyat (Vol. 1: Poetry). Tehran: Nashr‑e Cheshmeh. (in Persian).
Send comment about this article
Enter Name.
Enter a valid email address.
Enter a vaid affiliation.
Enter comments (At leaset 10 words)
CAPTCHA Image
Enter Security Code Correctly.