Ecriture feminine is a mode of literary expression and narration that foregrounds women’s lived experiences, identity, emotions, voice, and agency, thereby representing the world from a feminine perspective. It can manifest itself through the thematic, linguistic, and narrative features of a literary work. In this context, Sahar Khalifeh, a prominent Palestinian woman novelist, devotes attention in her novel “Abbad al-Shams” to social issues, especially the situation of Palestinian women under occupation. She portrays the Palestinian women’s awakening to their own capabilities and, in doing so, challenges the notion of female weakness. Employing a descriptive-analytical method, this study examines the most prominent manifestations and features of ecriture féminine in “Abbad al-Shams”. The findings indicate that the use of Standard Arabic, female agency and the assertion of female roles, women’s body writing, taboo and offensive words, the expression of complaint and dissatisfaction in female discourse, linguistic intensifiers, the expression of women’s emotions and feelings, indirect directives, and tag questions are among the most significant manifestations of feminine writing in the novel. Through the dialogues, the author portrays the oppression of Palestinians by the occupiers, as well as the subjugation of women by men. Linguistic intensifiers in Sunflowers appear through repetition, words such as 'very' and 'never,' imperative verbs, and emphatic syntactic structures, including the absolute object (Maf'ul Mutlaq) and various forms of oaths. In contrast, women’s writing in this novel emerges through female polyphony, emotional language, and the representation of women’s psychological states. This approach transforms women from objects of narration into subjects with their own voices and critical perspectives. Furthermore, women’s experiences intertwine with concepts such as homeland, occupation, and resistance, ultimately contributing to a critique of society’s patriarchal structure.